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巴力
肖像摄影，包罗万象，迄今，大多都以室内环境为主，表现形式基本采用静态化的摆拍手段为前提，而许多自然景观中的肖像摄影，往往因与外部环境易直接构成动态冲突，故环境与人物之间的对应关系，必然会随之发生改变，甚至，会影响到人物自身的情绪和行为，并造成人物与环境之间发生微妙的差异性变化，不仅如此，彼此之间的被动影响，也会变得更加浓烈，这也使得每一个处在环境中的相关人物，除了自身变换不定的举止，以及随时会被触动的内心活动遭遇异动外，许多情景均难以即刻把握、控制，无论是被捕捉的对象，熟悉还是陌生与否，我们基本上都无法准确地推断他（她）们真实的内心活动，恰好这种未知感及神秘意向，使影像本身具有了独特的意义，其产生的视觉意识，加速了被重新定义、认识、确定的可能性，而影像的美学概念，无疑也就此展开。现实生活中的每个人，终究面对的是两个世界，一个来自内心，另一个来自外界。而影像的镜头，往往处在这两者之间，它所反映的视觉作用，无疑会在三度空间范围内游离，被获取的瞬间，即快速决定了影像的最终价值取向，重要的是，一旦所有的真实元素被确认，影像的时间记忆就此自然形成，相应地也增添和辅助了每一段被记录后的影像历史，包括其中的美学印记。
《瓣》摄影 -2016（北京）
《远方》摄影系列1 -2016（圣托里尼岛）
《远方》摄影系列2 -2016（米克诺斯岛）
《远方》摄影系列3 -2016（米克诺斯岛）
《摄影师》摄影 -2016（巴塞罗那）
《马车夫》摄影 -2016（塞维利亚）
《街头艺术家》摄影系列- 2016（巴塞罗那）
《小贩》摄影 -2016（巴塞罗那）
《街头排箫演奏家》摄影 -2016（塞维利亚）
《憩》摄影系列1 -2016（托雷多）
《憩》摄影系列2- 2016（托雷多）
《午后》摄影系列-2017（北京）
Portrait photography, all-encompassing, so far, mostly with indoor environment is given priority to, forms the basic method of static posed method as the prerequisite, and many of the natural landscape of the portrait photography, often with the external environment easily constitute a dynamic conflict directly, so the environment and the corresponding relationship between the characters, is bound to change, even, will affect their emotions and behavior characters, and subtle differences between people and the environment causing changes, not only that, between the passive influence, also will become more powerful, it also makes each in environmental related characters, in addition to their changing behavior, and will be touch the heart activity at any time a move, a lot of situations are difficult to grasp the immediate, control, regardless of whether they are trapped object, familiar or unfamiliar or not, we are basically unable to accurately infer that he (she) the real inner activities, just this sense of the unknown and mysterious, make the image itself has a unique meaning, its visual consciousness, accelerated the being redefined, knowledge, determine the possibility of aesthetic concept and image, no doubt. Everyone in real life, after all, faces two worlds, one from the heart and the other from the outside. And imaging lens, often in between the two, visual effect, it is a reflection of the free will undoubtedly in 3-d space scope, is for the moment, that determines the ultimate value orientation of images quickly, it is important that once all the elements have been identified, the real image of time memory on the natural formation, accordingly also add and auxiliary history is recorded after each paragraph of the image, including aesthetic impression.
【巴力摄影作品集】
barli photographic works
编辑：沐暘
editor: muyang |
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发表于 2018-1-17 21:37:07
